eROTik 2: The Beyond

For those who crave boundary-pushing mutations of extreme horror, “eROTik 2: The Beyond” is a harrowing descent into depravity that pays homage to the visceral shock cinema of the early 2000s and 2010s.

The sequel picks up where Domiziano Cristopharo’s “eROTik” (2019) left off, diving deeper into the fractured psyche of Dahmer (Ahmet Kartal), an artistic cannibal whose grotesque rituals reach horrifying new heights.

The film explores chilling themes of life, death, and the haunting beauty of decay, evolving into more than just a gore-soaked horror-movie, becoming a grim meditation on human morality and obsession.

The creative collaboration between Domiziano Cristopharo and emerging director Slade Wilson began during projects like "Phallacies," "XXX Darknet: Red Lips," and "6 Songs." With Cristopharo initially envisioning eROTik as part of a trilogy, Wilson was entrusted to bring the second chapter to life.

Born during the COVID-19 pandemic and filmed across Italy and Turkey, the production faced numerous challenges. Global disruptions and unexpected issues with cast members - some of whom withdrew due to the project’s extreme nature - forced the team to improvise, replacing actors on short notice.

Despite these obstacles, the film has stayed true to the surreal, unsettling atmosphere of its predecessor and is set to premiere in 2025.

Interestingly, the project was originally conceived as a comic book before evolving into a bold feature film. Its mission is clear: to reclaim the extreme horror genre from amateur productions, blending provocation with quality and refusing to compromise.

At its core, “eROTik 2: The Beyond” is a disturbing exploration of Dahmer’s fixation on reviving a corpse. The narrative draws eerie parallels between ancient mummification rituals and a futuristic, almost god-like obsession with preserving and controlling human decay.

As Dahmer’s motivations unravel, the film shifts from simple insanity to a haunting reflection of art, mortality, and the grotesque beauty of decomposition. It challenges viewers to question their own boundaries and how far one might go in pursuit of transcendence.

Visually, the film is where truly shines - and horrifies. Slade Wilson amplifies every frame with visceral intensity, while Cristopharo’s direction of the cinematography delivers eerie sequences. From hyper-realistic flesh putrefaction to suffocating claustrophobia, every shot immerses viewers in Dahmer’s sinister lair.

The sound design is equally striking, with wet, squelching effects (both bodily and otherwise) paired with an atmospheric score that seeps under your skin. Together with the visuals and audio, to create a sensory experience that lingers long after the credits roll.

While reflective and character-driven, “eROTik 2” does not shy away from pushing audience to their limits. The cannibalism scenes, in particular, are nauseatingly effective. This is not a film to watch while eating unless you enjoy losing your appetite.

Yet, amid the gore and depravity, undeniable artistry elevates it from a simple shock piece to a thought-provoking reflection on human nature.

Fans of extreme horror, especially those nostalgic for the brutality of movies such as: “Cannibal” by Marian Dora or “Subconscious Cruelty” by Karim Hussain, will find “eROTik 2: The Beyond” to be an incubus gem. However, this is not a film for the uninitiated or faint of heart.

Consider this your warning: “eROTik 2: The Beyond” is not just a movie - it’s a dare. A visceral, stomach-churning, and strangely hypnotic challenge that beckons the bravest to stare into the abyss - and perhaps, question what stares back.